Je l'ai offert à un photographe au niveau "avancé" et ça à fait mouche. Il semble très complet et pour l'avoir testé, il est plutôt puissant

Ottimo flash usato su Sony A7IV senza alcun problema e senza far rimpiangere i carissimi flash originali.

I bought this because I wanted something small and portable, it fits that brief and is still more than powerful enough for my needs. So far for macro it's been great.Something that occurs now and again on my A7Riii is that the camera will flash (no pun intended) a message about the device not being recognised. This, I find is caused by the flash shoe not being tightly fitting to the hotshoe contacts. I fit the flash tightly each time but now and again this occurs so dropping a star for that reason.

Muito fraco e pequeno, preferi comprar o Godox V1

I’m a well known pro but only a recent convert to the many excellent attributes of the Sony mirrorless system. As a former Nikon and Canon shooter, speedlights (small strobes) of the same brand usually made the most sense. With Sony, Godox is a far more economical choice than what you get from Sony, with actually more options at excellent prices. Read on for a brief primer on how to get great results:First, I think this Godox TT350S is the right choice for most everyday situations, even for pros like me. One reason is that because the Sony bodies are so small—bigger flash units can ungainly dominate the balance of the camera, making it top heavy. So, unless you are lighting large groups or objects at a greater distance, this little guy gets the job done in style. It also works wonderfully and seamlessly in combination with Godox’s larger unit like its excellent big brother, the TT685S. (S is for Sony, of course.)Second, lets’ talk briefly about technique. The TT350S is a versatile wonder. The goal with artificial light is to use less of it and when possible add it to the ambient available light in the scene for natural looking and professional results. This is why many pros shoot with the flash set on manual. You can easily learn how to “dial down” this unit so it puts out less light, and can also alternatively set the camera to reduce the amount of light. This is calculated in F-stops, also known as aperture. Thus, if shooting on manual, leave your Sony camera’s flash setting on full blast and dial down the light using the Godox settings. If shooting in TTL automatic mode, you can set the camera to dial down at least 1/3 of an f-stop and often 2/3rds so flash isn’t overwhelmingly bright.Your main goal is to avoid “direct flash.” No black shadows against the wall, please! Keep the strobe oriented vertically and decide how to spread out the light for a natural look. One way to do this is to bounce off a white ceiling or side wall. If not available, the included diffuser does quite a decent job. Compare these two techniques with a test subject and you’ll quickly have an idea of what works best for you.To take your lighting to the next level, Godox makes it easy! You can use the TT350s as a wireless trigger for another unit (including other models) to be placed at an angle toward the subject, or even diffused through a softbox or umbrella. Or using just this one strobe can be used fully off camera with an additional must have purchase of the inexpensive Godox X1T-S remote trigger. In this scenario, the (even tinier) X1-S unit sits on your camera’s hot shoe and triggers the TT350s, wherever you locate it wirelessly.Another good way to get your light source off camera is a run ‘n gun technique used by photojournalists and wedding shooters. Although (oddly) not easy to find, another inexpensive must have accessory is the Vello three foot TTL flash cord for Sony cameras. Essentially, it’s an extension cord. One end screws into the hot shoe of your Sony and you shoot one handed, holding your arm out to hold the flash, typically with the diffuser in place. This is key way pros shoot in active environments to get the strobe off camera to better avoid and diffuse directional light.Keep in mind that any small flash like this one that only takes two AA batteries will not recharge as fast as a larger strobe unless you have a separate power pack for it. Thus, get the bigger model for fast happening news and wedding environments.Hope this has been of some small help as you build your lighting skills with the superb Godox system. Happy shooting to you and yours!

This is a really small form factor flash. It's really a perfect size for a small mirrorless body. I think it's a great compromise size for travel. I use mine on a Sony a7-3. As you might expect, with the smalll size , comes less power. That's obvious by the GN rating.You're good to use this indoors in small spaces like anywhere in your house. It's powerful enough for a decent size family and extended family gathering inside a small hall with plenty of spaces to bounce. But you'll quickly realise how weak it is when you're used to a full size flash.I find TTL is a bit strange. It always under exposes flash. 100% all the time it's always deciding very little fill flash. I permanently leave flash exp. Comp. to +1.7. See picture between TTL all auto which is really under exposes..... And I apply +1.7 flash compensation to get fairly decent image balance with flash fill.The white balance that Sony gives on flash wb is always reallllly yellow with this flash. Not sure why.?I'm coming from canon system so I'm wondering if this is a third party flash issue....So I've been using just awb .... Better off custom wb .It's a really basic camera flash. Manual, ttl, HS and capable of remote shooting as master or slave. No frills. I don't own any other Sony strobes yet to play with off camera flash but note that godox has a fully wireless system that others on blogs have praised .The bounce flash swivel head is outstanding and gives you a lot of versatility in such a small form factor.For such a good price and great performance there is no reason to go with sony compact flashes.